
"The stage is in darkness. Harsh music is heard as dim blue lights come up. One after another, seven women run onto the stage from each of the exits. They all freeze in postures of distress."
The beginning of the book/collection of poems, 'For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf' begins strangling your attention with the literary illustration of the opening scene (quoted above). However, as the reader begins to realize this initial scene, this entrance from exits, this run into frozen distress, this metaphorical & perpetual cycle is truly the backdrop for this night blooming cactus of poetic personal widely shared accounts.
"...this must be the spook house
another song with no singers
lyrics/ no voices
& interrupted solos
unseen performances
are we ghouls?
children of horror?
the joke?
don't tell nobody don't tell a soul
are we animals? have we gone crazy?
i can't hear anythin
but maddening screams
& the soft strains of death
& you promised me...
somebody/ anybody
sing a black girl's song
bring her out
to know herself
to know you
but sing her rhythms
carin/ struggle/ hard times
sing her song of life
she's been dead so long
closed in silence so long
she doesn't know the sound
of her own voice
her infinite beauty
she's half-notes scattered
without rhythm...
(lady in brown, 1. 11-40)

Scattered half-notes...half-notes. Half-notes...why half-notes? That is what I kept asking myself over & over. Was it because the half-note is hollow? Couldn't be because the whole-note itself is hollow. Was it because it is simply 1/2 of being complete? Perhaps. However, what I always thought was special about the whole-note is that it stands alone. It doesn't need any stems, tails, bridges, or what have you. It stands alone...complete...whole. Then I said, "Mike, your over thinking this."
I then realized that I wasn't over thinking it--I was under thinking it. The half-note isn't so much a metaphor for the women/girls. It is the disconnect of song that is the women/girls themselves. Rather their emotions, bottled up desires, individuality, & souls that have become so lost...so muted...so buried within that they are as indecipherable as "half-notes scattered without rhythm".
The irony behind that thought that I had was that the same things that have become indecipherable has in some way mutated. Taking on a form of a cold & dark personal prison with no hope of parole...an inescapable bedfellow of madness. To add to this personal purgatory this prison has sound proof unbreakable glass for walls. Unbreakable glass walls used by others outside to serve as cognitive dissonance. Unbreakable glass walls in which they can look in with judging eyes. Unbreakable glass walls in which they can laugh without fear of reproach. Sound proof unbreakable walls in which cries & pleas can not be heard...rending either pointless attempts.

Whilst focusing on everyone with a condemning eye or a scornful laugh she can not see the ones trying to open the door to this personal purgatory. For there are people out there that want to help--even if unseen.
All this time due to all that she has been through she has forgotten that there is even a door.
All this time due to all that she has been through she has forgotten that door is locked from the inside.
She may have been thrown into this prison. But out of the kind of hurt & pain that makes a person lose their ability to speak; she found comfort in the solitude. Comfort in the fact that
she could not be hurt directly anymore. No one could touch her true self. She locked the door from the inside...
The key to the door is voice of her soul...lost, muted, buried & indecipherable. HOW CAN WE FIND IT, TURN UP THE VOLUME, UNEARTH IT, & UNLOCK IT'S BEAUTY? HOW CAN WE MAKE MUTED VOICES BECOME AUDIBLE?!?!Part I of my thoughts on this excellent collection of poems...collection of souls has ended with the aforementioned question...do you have an answer? Can you even see the need for an answer? Let me know...maybe we'll find one together. Thank you for listening to my thoughts...
-M